As stated in a review of one book called "Seal Child" by Sylvia Peck, it touches on:
"From the coasts of Scotland and northern New England come legends of seals who live among us, in human form. They are called selkies, these people of the sea. While they are here, they do not tell what they are. The stories come later: the white seal maid whose hands are always colder than the hands of ordinary women; the great gray selkie whose purse bulges with sunken gold. The process of transformation, itself, is mysterious. In some versions, grown selkies appear on moonlit rocks, where they shed their sealskins to sing and dance. Such a selkie can be captured, if her sealskin is captured. But she must be guarded always, and the briny skin locked away in a trunk. For a selkie wife, stolen from the sea, may at any moment steal back her skin and be off. To restore her seal shape, she has only to drape that sealskin back over her shoulders. What I have done in Seal Child is to suggest a different manner of transformation. In my variant, selkies make their first change at will. To return, they have only to dive back into seawater. Such transformation is simpler but absolute. Those who choose it remain seals forever. The choice is theirs" (Sylvia).This modernization of the selkies make a fond children's story where the pictures and the enchanting narrative translates an adult idea and tale into something a child can understand and enjoy.
Another is "The Folk Keeper" which shows in a review by Publisher's Weekly:
"Billingsley (Well Wished) imagines a fascinating subterranean world and infuses a strong feminist theme into this poetically wrought tale featuring a 15-year-old orphan. Corinna Stonewall, who earned her name for her stubbornness, is at odds with a hierarchical society filled with lords and ladies. Rather than succumb to her fate of becoming a servant girl, she reinvents herself as a boy named Corin and secures a position as "Folk Keeper." Her job is dangerous: she must protect the mainland village of Rhysbridge against the harmful pranks of the Folk, devilish underground creatures who thrive in darkness. But Corinna feels freer in her dank cellar quarters than in the outside world. Then one day, a mysterious dying man arrives who seems to see past her disguise and hires her to work at the island estate he shares with his wife, Lady Alicia. Drawing on storytelling traditions and yet creating a completely original labyrinthine underworld, the author sends Corinna on a spiritual as well as physical journey. The tale unfolds through Corinna's Folk Record, her most prized possession, which chronicles the activities of the dark-dwelling creatures. While fending off the fiercer breed of Folk threatening Lady Alicia's seaside manor, the heroine makes discoveries about her past, the special powers she possesses and her strange attraction to the sea. The plot thickens as Corinna struggles to keep her gender and special powers a secret and fights her growing feelings for a kindred spirit: Lady Alicia's son, Finian. Strong visual imagery manages both to orient readers and yet to leave them with an odd feeling of disorientation ("The walls were heavy draperies, stone folded upon stone, lustrous with damp"). In this way, Billingsley brilliantly creates a reading experience that parallels Corinna's own experience. The author's ear for language, her use of classic motifs and her stalwart heroine make this novel an evocative, unforgettable read" (Book).This book borrow's its strong thematic devices and lore form the selktic legends. In fact, she brings an entire world of selkies, something unimaginable, into the world of the book. This book, a young adult's book, gives entire immersion to those unknowing of the selkie legends and give them the ability to access
Citation
Book Reviews, Bestselling Books & Publishing Business News | Publishers Weekly. Web. 24 Nov. 2010. <http://www.publishersweekly.com/pw/home/index.html>.
"Sylvia Peck's Home Page." GuyArts Ltd. Web. 24 Nov. 2010. <http://guyarts.com/sylviapeckcom/>.





